Foto Jeannine Oppewall

Jeannine Oppewall


Biografi

Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award.

For the next several years, Ms Oppewall designed an impressive variety of motion pictures for a diverse list of directors, many with international credentials. These range from the Russian Andrei Konchalovsky (Maria’s Lovers) and the Brazilian Hector Babenco (Ironweed), to include Costa-Gavras (The Music Box) and Luis Mandoki (White Palace). Other credits include Love Letters, The Big Easy, Rooftops, Wonder Boys and Sibling Rivalry.

Other films for which she is known are Seabiscuit (starring Jeff Bridges), Catch Me if You Can (Directed by Steven Spielberg, starring Tom Hanks and Leonardo DiCaprio), The Sum of All Fears (starring Morgan Freeman), and Robert DeNiro’s The Good Shepherd, released at the end of 2006.

Claudia has received 4 Oscar Award nominations for her films and received the Los Angeles Film Critics Association Award for Best Production Design, 1998 for Pleasantville. She also won the Art Directors’ Guild’s award for Excellence in Production Design for Catch Me If You Can, and was nominated for 5 others of her films for the same. She served on the Board of Governors of the Academy of Motion Picture Arts and Sciences for 9 years and is currently the co-chairperson of its Museum Committee.

Dikenal sebagai

Art

Tanggal Lahir

28 November 1946 di Uxbridge, Massachusetts, USA

Filmografi

Casablanca: An Unlikely Classic

Casablanca: An Unlikely Classic

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Blue Collar

Blue Collar

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The Making of 'Seabiscuit'

The Making of 'Seabiscuit'

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And the Oscar Goes To...

And the Oscar Goes To...

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Catch Me If You Can: Behind the Camera

Catch Me If You Can: Behind the Camera

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Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

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An Old Fashioned Love Story: Making 'The Bridges of Madison County'

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

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Whatever You Desire: Making 'L.A. Confidential'

Whatever You Desire: Making 'L.A. Confidential'

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Remembering Reno: Reflections on the Making of Desert Hearts

Remembering Reno: Reflections on the Making of Desert Hearts

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