Foto Michael Mann

Michael Mann


Biografi

Michael Kenneth Mann (born February 5, 1943) is an American film director, screenwriter, author and producer. Best known for his stylised crime dramas, he has won two Primetime Emmy Awards, as well as earned nominations for four Academy Awards, two Golden Globe Awards, and a BAFTA Award. His most acclaimed works include the films Thief (1981), Manhunter (1986), The Last of the Mohicans (1992), Heat (1995), The Insider (1999), Ali (2001), Collateral (2004), Public Enemies (2009), and Ferrari (2023). He was executive producer on the popular TV series Miami Vice (1984–90), which he adapted into a 2006 feature film.

Description above from the Wikipedia article Michael Mann, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Dikenal sebagai

Directing

Tanggal Lahir

05 February 1943 di Chicago, Illinois, USA

Filmografi

Hancock

Hancock

sebagai Executive

Good Men

Good Men

sebagai Self

Bonnie

Bonnie

sebagai Self

The Fire Rises: The Creation and Impact of The Dark Knight Trilogy

The Fire Rises: The Creation and Impact of The Dark Knight Trilogy

sebagai Self

Inside 'Manhunter'

Inside 'Manhunter'

sebagai Himself

Milius

Milius

sebagai Self

Männer im Trenchcoat, Frauen im Pelz

Männer im Trenchcoat, Frauen im Pelz

sebagai Self

We Blew It

We Blew It

sebagai Self

Howard Hawks: American Artist

Howard Hawks: American Artist

sebagai Self

City of Night: The Making of 'Collateral'

City of Night: The Making of 'Collateral'

sebagai Self

The 4%: Film's Gender Problem

The 4%: Film's Gender Problem

sebagai Self

The Making of 'Heat'

The Making of 'Heat'

sebagai Self

Michael Mann: Making 'Public Enemies'

Michael Mann: Making 'Public Enemies'

sebagai Self

Pacino and De Niro: The Conversation

Pacino and De Niro: The Conversation

sebagai Self

Chicago Filmmakers on the Chicago River

Chicago Filmmakers on the Chicago River

sebagai Self

Making The Last of the Mohicans

Making The Last of the Mohicans

sebagai Self

Heat: Return to the Scene of the Crime

Heat: Return to the Scene of the Crime

sebagai Self