Foto John Knoll

John Knoll


Biografi

John Knoll (born October 6, 1962) is an American visual effects supervisor and chief creative officer(CCO) at Industrial Light & Magic (ILM).

Description above from the Wikipedia article John Knoll, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Dikenal sebagai

Visual Effects

Tanggal Lahir

06 October 1962 di Ann Arbor, Michigan, USA

Filmografi

Mission: Impossible

Mission: Impossible

sebagai Passenger on Train in Tunnel (uncredited)

Star Wars: Episode III - Revenge of the Sith

Star Wars: Episode III - Revenge of the Sith

sebagai Fire Ship Pilot (uncredited)

Star Wars: Episode I - The Phantom Menace

Star Wars: Episode I - The Phantom Menace

sebagai Lt. Rya Kirsch - Bravo 4 / Flag Bearer (uncredited)

Side by Side

Side by Side

sebagai Self

Star Wars : La Révolution Visuelle

Star Wars : La Révolution Visuelle

sebagai

No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects

No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects

sebagai

The Stories: The Making of 'Rogue One: A Star Wars Story'

The Stories: The Making of 'Rogue One: A Star Wars Story'

sebagai Self

Industrial Light & Magic: Creating the Impossible

Industrial Light & Magic: Creating the Impossible

sebagai Self

An Epic At Sea: The Making of Pirates of the Caribbean: The Curse of the Black Pearl

An Epic At Sea: The Making of Pirates of the Caribbean: The Curse of the Black Pearl

sebagai Self

From Star Wars to Star Wars: The Story of Industrial Light & Magic

From Star Wars to Star Wars: The Story of Industrial Light & Magic

sebagai Self

Star Wars: Within a Minute - The Making of Episode III

Star Wars: Within a Minute - The Making of Episode III

sebagai Self

The Digital Artistry of Pacific Rim

The Digital Artistry of Pacific Rim

sebagai Self

A Final Cut for Orson: 40 Years in the Making

A Final Cut for Orson: 40 Years in the Making

sebagai Self - Visual Effects Supervisor

From Puppets to Pixels: Digital Characters in 'Episode II'

From Puppets to Pixels: Digital Characters in 'Episode II'

sebagai Self

State of the Art: The Pre-Visualization of 'Episode II'

State of the Art: The Pre-Visualization of 'Episode II'

sebagai Self